The lament of Andromache, as we see it come to a conclusion here at I.22.515, is a classic example of a group performance as rounded out here at I.22.515 by way of an antiphonal refrain. For more on such group performance, see the anchor comment on I.19.282–302, where Briseis the Aeolian is featured as a distinctly choral personality, analogous to the personality of Sappho herself in the choral songs attributed to that Aeolian prima donna of a later era.