analysis of the convergences between the (wording) of Sappho 44 and the Iliad and the application of the epithet theoeikelos in Sappho 44 to Hector and Andromache and its ominous dimension when analyzed in light of the Iliad, here also the transfer of the sorrows of Andromache to Achilles as he performs klea andrōn on Eëtion’s lyre