... ion of the Homeric Iliad.Helen is seen here at I.03.125–128 for the first time in the Iliad. She is shown in the act of pattern-weaving. Instead of singing while weaving, she weaves her so ...
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... taphor, see MoM 0§01, 0§1 Extract 0-A.) For the Athenians, Athena is the primary narrator of the Gigantomachy by way of pattern-weaving the narration in her own Peplos as a masterpiece of ...
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Helenos is telling Hector what to tell Hecuba to do, which is, to offer a peplos ‘robe’ for Athena as the goddess of the citadel of Troy.Helenos is telling Hector what to tell Hecu ...
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analysis of the peplos presented to Athena and comparison with the quadrennial Panathenaic Peplos, and of split referencingHector is telling Hecuba what to do, which is, to offer a ...
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analysis of the peplos presented to Athena and comparison with the quadrennial Panathenaic Peplos, and of split referencingHecuba goes ahead and does what she has been told to do, ...
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analysis of the peplos presented to Athena and comparison with the quadrennial Panathenaic Peplos, and of poetic virtuosity and split referencingWith each repetition of the wording ...
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... ork, as we will see in another comment, comes to life in the skillfulness displayed by women in practicing their art of pattern-weaving: a prime example is Andromache the Aeolian, describe ...
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Like Helen at I.03.125–128, Andromache is shown here at I.22.440–441 in the act of pattern-weaving. And, like Helen, she is not pictured as singing while weaving: rather, she weaves her song into the web that she pattern-weaves. The song tha ...
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Iliad 3.125-128
Gregory Nagy... ion of the Homeric Iliad.Helen is seen here at I.03.125–128 for the first time in the Iliad. She is shown in the act of pattern-weaving. Instead of singing while weaving, she weaves her so ... Continue reading
Iliad 5.733-747
Gregory Nagy... taphor, see MoM 0§01, 0§1 Extract 0-A.) For the Athenians, Athena is the primary narrator of the Gigantomachy by way of pattern-weaving the narration in her own Peplos as a masterpiece of ... Continue reading
Iliad 6.090–093
Gregory NagyHelenos is telling Hector what to tell Hecuba to do, which is, to offer a peplos ‘robe’ for Athena as the goddess of the citadel of Troy.Helenos is telling Hector what to tell Hecu ... Continue reading
Iliad 6.271-273
Gregory Nagyanalysis of the peplos presented to Athena and comparison with the quadrennial Panathenaic Peplos, and of split referencingHector is telling Hecuba what to do, which is, to offer a ... Continue reading
Iliad 6.286-296
Gregory Nagyanalysis of the peplos presented to Athena and comparison with the quadrennial Panathenaic Peplos, and of split referencingHecuba goes ahead and does what she has been told to do, ... Continue reading
Iliad 6.297-310
Gregory Nagyanalysis of the peplos presented to Athena and comparison with the quadrennial Panathenaic Peplos, and of poetic virtuosity and split referencingWith each repetition of the wording ... Continue reading
Iliad 9.130
Gregory Nagy... ork, as we will see in another comment, comes to life in the skillfulness displayed by women in practicing their art of pattern-weaving: a prime example is Andromache the Aeolian, describe ... Continue reading
Iliad 22.440–441
Gregory NagyLike Helen at I.03.125–128, Andromache is shown here at I.22.440–441 in the act of pattern-weaving. And, like Helen, she is not pictured as singing while weaving: rather, she weaves her song into the web that she pattern-weaves. The song tha ... Continue reading